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Sepia, What Is It Good For?
Simon & Garfunkel once said, “Everything looks worse in black and white.”
The song was “Kodachrome”, a tune that probably every photographer is familiar with. Paul and Art changed “worse” to “better” during their 1981 concert in Central Park. No doubt a nod to their advancing age.
Or they just forgot the words. Hard to tell.
Anyway, the decision to apply a monochrome (“black and white”) treatment to a photo depends on many things. Probably the most important, I think, is the color, textures, and contrast in the image. Some images pop in monochrome, some don’t.
Also important is the mood of the photo — or at least the mood that you’re going for. A great variation on the standard monochrome treatment is “sepia” toning (pronounced “see-pee-ya”, though maybe not in mixed company). An image rendered with sepia toning has more of a reddish-brown coloring, and generally has the feel of an old photo, or at least a photo of an old subject.
So, if that’s the mood you’d like to achieve, sepia will help get you there.
I applied a sepia treatment to several interior photos taken while visiting Casa Loma, a Gothic Revival mansion in Toronto.
Sometimes, a monochrome/sepia treatment helps a photo, sometimes it doesn’t. I’ll share both the color and the sepia images here, and let you decide.
